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Friday, October 2, 2026

holy Ganga harathi at Haridwar - Har ki Pauri

 

Haridwar is holy, peaceful, scenic, beautiful Haridwar has Ganga flowing through. A great sight and a holy place for bathing – on the foothills of Himalayas, it has ashrams and a very pious ambience enveloping all over.



The ‘Panch Tirth’ or the five pilgrimages located within the periphery of Haridwar, are Gangadwara (Har Ki Pauri), Kushwart (Ghat), Kankhal, Bilwa Tirtha (Mansa Devi Temple) and Neel Parvat (Chandi Devi).  

Ganga haarathi at Haridwar Har ki Pauri taken on 15.9.2026 :  https://youtu.be/xgfSnmZmyrI

beau Button roses !! ~ பத்து மணி செடி

 

It is not easy growing flowery plants; nor trees   ! – more difficult is agriculture. Birds do not pose and actually fly away at the slightest thought !

Yet, life can be simple and beautiful !! - ஒரு மாடி குடியானவனின் மன ஆறுதல் !!



The double-flowered varieties of Portulaca grandiflora are known  under names such as Button Rose and Table Rose. The name refers to their compact, densely layered, rose-like petals.

 Botanically, it is also known as Moss Rose or Rose Moss, and in Tamil as பத்து மணி செடி (Pathu Mani Chedi)

Ayyanar worship ~ Grama devathaigal

 

Ayyanar (ஐயனார்), the traditional guardian deity of Tamil villages, worshipped as a kāval deivam (காவல் தெய்வம்). The exact identity can vary from village to village, as several local guardian deities share similar iconography. Ayyanar occupies a special place in village  worship. Unlike deities whose temples are generally situated at the heart of a settlement, Ayyanar shrines are often found on the outskirts, near village boundaries, fields, water bodies or groves. His role is to protect the village and its inhabitants from danger.



The magnificent horse is central to Ayyanar's identity. According to village tradition, Ayyanar rides around the village at night, keeping watch over its boundaries and protecting its people.  The horse represents speed, strength and the ability to respond to danger. The deity's imposing appearance reinforces his role as the village's protector.  In many villages, devotees offer terracotta horses to Ayyanar in fulfilment of vows or as an expression of gratitude for blessings received. These horses may be displayed in large numbers around the shrine.  

The horse is therefore much more than a decorative feature. It embodies the belief that the deity is ever-ready to ride out and protect the community.  The little dog is associated with several guardian deities . In the context  of a village guardian shrine, the dog can be understood as a symbol of loyalty, alertness and watchfulness — qualities essential to a protector. There is also a specific connection with Ayyanar worship: dogs, along with horses, elephants and other animals, occur as votive figures at some Ayyanar shrines.    

It is fascinating to know that the  village deities   worship is closely  connected with the everyday life of rural communities. The village, its fields, its cattle, its water sources and the safety of its inhabitants are all part of the same world. The guardian deity represents the community's faith that these essential aspects of life remain protected.  The green fields, trees,  imposing horseman, the faithful dog and the shrine beneath the trees together convey this idea beautifully. This is a living tradition of village  worship, in which the deity is not merely a divine presence in a sanctum but a guardian who watches over the land and the people who live upon it.

Interesting !

Regards – S Sampathkumar
02102026

 

Wednesday, September 30, 2026

Agasthya & Cauvery .. !! ~ நடந்தாய் வாழி காவேரி

At Thiruvallikkeni, as is in many divyadesangal,  - day 7 of Annual Brahmothsavam  is Thiruther – the grand chariot – the bigger one for Sri Parthasarathi and Sri Thelliya Singar. Ever observed the Temple Car [thiruther] in close and in detail !  - it is big, it is massive, it is ornate with hundreds of beautiful architecture carved in the tree !!  One such ther bommai – the word would never convey the original grandeur of the architecture !! – seen at the house of Sri MA Narasimhan is the subject matter of this post.



There were many depictions of Gods, avatar of Sriman Narayana and the like – this was slightly different – a bearded sage in penance sitting on small boulders, holding a kamandal, aquatic settings, fishes swimming towards and two more people !!  ~ by my own version appears to be depiction of Agastya and origin of holy Cauvery river.  

The Cauvery (Kaveri) River rises at Talakaveri in the Brahmagiri Hills of the Western Ghats, in Kodagu (Coorg) district, Karnataka, at about 1,341 m above sea level, flows roughly 800 km southeast through Karnataka and Tamil Nadu before emptying into the Bay of Bengal near Poompuhar.Cauvery flows southeast through Karnataka for about 320 km, then runs along the Karnataka–Tamil Nadu border for ~64 km, and continues through Tamil Nadu for roughly 416 km before reaching the sea. 

In Tamil Nadu it descends the Eastern Ghats in a series of notable falls and then spreads into a wide, fertile delta often called the “Garden of Southern India.” Major reservoirs and dams along its course include Krishna Raja Sagara (KRS) in Karnataka and the Mettur Dam (Stanley Reservoir) in Tamil Nadu, both crucial for irrigation and power. 

Its key tributaries include : Harangi, Hemavati, Shimsha, Arkavati; Kabini, Bhavani, Noyyal, Amaravati. These tributaries drain much of southern Karnataka and western Tamil Nadu and feed the Cauvery basin, which spans about 81,155 km² across Karnataka, Tamil Nadu, Kerala, and Puducherry. 

The Cauvery is   called “Dakshina Ganga” (Ganga of the South) and “Ponni” in Tamil, reflecting its sacred status and its association with gold‑like fertility in the delta.

 


Mythological it is – sage Agastya medidated, crow tipped his pitcher and the sacred river flowed .. .  this art work has bearded sage, kamandalam, fishes and water suggesting a riverine setting.   

It was year 1972 – a great film about the sage Agastyar (Agathiyar), son of Pulasthya, son of Brahma.  According to mythology, the river Cauvery flowed from the kamandalam of Sage Agathiya.  The title song of the film ‘Agathiyar’ was ‘Nadanthai Vaazhi Kaveri’ – glorifying the river Cauvery as one who makes all the land fertile and pervading goodness in all her path……  a beautiful song sung by ‘Seerkazhi Govindarajan’ the famous singer who was also the hero in the film.  The background music was by Kunnakudi Vaidhyanathan.

 

நடந்தாய் வாழி காவேரி,  நடந்தாய் வாழி காவேரி ;

நாடெங்குமே செழிக்க நன்மையெல்லாம் சிறக்க.. .. 

 

Interesting ! 

Regards – S Sampathkumar

30.9.2026

PS: Acknowledgement and thanks to Mr MA Narasimhan who kindly showed this brilliant piece of sculpture;  allowed it to be photographed and written about. d.